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16.00 USD
Welcome to "Idols of the 1920s," where we hope to provide a special, cozy place for those of you who long to linger among the stars of the early silver screen, the hoofers and songbirds of dear old vaudeville's fading hours, a few diva's of the grand opera, and of the operetta too, flappers, flappers, more flappers, and of course, and perhaps especially, those femmes fatales who with one smoldering glance can melt a heart, or break it in two. Have fun!
Pola Negri, born Apolonia Chalupiek in 1897 Poland rose out of poverty and began her performing career as a ballerina. She was struck by tuberculosis, however, and had to give up dancing. She became for a time one of the most popular femme fatales in Hollywood.
In 1918, she played the role of Carmen, and was cast in romantic Gypsy roles often following its success. In this image, the film's tile is "La Gitana," but since this is a Ballerini Fratani card, an Italian publisher, we can't be certain of the Paramount film it was taken from.
She had a long affair with Charles Chaplin, and then Rudolf Valentino, apparently they were lovers until his death in 1926. She was one of the two major femme fatales at Paramount studios, (Gloria Swanson being the other), and according to Chaplin, Paramount dreamed up all kinds of false rivalry and jealousy between Pola and Gloria for publicity purposes, which would then be leaked to the press.
To give an indication of the way Pola felt about Valentino, here is a quote attributed to Pola Negri, that we found on the great blog:
http://classicglamourchic.blogspot.com/2010/12/pola-negri-talks-more-about-meeting_20.html
"Before he could say another word, we were interrupted by an exceedingly beautiful young blonde. She said in a thick accent, "Rudy, please take me home now. I've an early call in the morning."
Valentino asked, "Do you two know each other? Pola Negri -- Vilma Banky."
I said good night and watched the striking couple walk away. She was one of his favorite leading ladies, and there were many rumors of a romance, which I found myself alternately hoping were true and resenting. I wondered if I was subconsciously jealous but quickly dismissed that as being out of the question. It was no more than a passing physical attraction. There had been my reaction to the way he led me across the floor, merely physical again. No, I had to admit he appealed to something deeper, something atavistic, something so basic in me that I had forgotten it was there, if, indeed, I had ever known it. It stripped away the veneers that went into the composition of my too public self, and exposed what lay beneath. Call it fatalism, but from our very first meeting I knew that somehow this man had the power either to destroy my life or so irrevocably alter its course that it would never again be the same."
Please examine our high res scans for detail.
Postage is for first class shipping in a secure photo mailer, and we happily combine shipping on all paper goods. If you purchase two cards, we will refund the postage on the second card, and when you purchase three or more cards from us at the same time, your shipping will be entirely free, except for international orders which, because of sudden increases in international shipping rates will still be charged one card's shipping fees on orders of three or more.
And please come visit our blog at:
redpoulaine.blogspot.com
where we post biographical and historical tidbits, images of cards and photographs for sale, some already sold but remembered fondly, related images of historical interest and sometimes even images of items that have not yet arrived in the shop, but that are expected to arrive soon, as well as coupon codes, links to other related sites, and more!
